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	<title>Comments for The Romanticist Research Group of New York University</title>
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	<link>http://nyurrg.org</link>
	<description>A Visionary Company</description>
	<lastBuildDate>Tue, 21 May 2013 23:06:06 +0000</lastBuildDate>
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		<title>Comment on Print Circulation and Reading Publics by Denis Robillard (poet)</title>
		<link>http://nyurrg.org/2013/05/11/print-circulation-and-reading-publics/#comment-2235</link>
		<dc:creator><![CDATA[Denis Robillard (poet)]]></dc:creator>
		<pubDate>Tue, 21 May 2013 23:06:06 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=511#comment-2235</guid>
		<description><![CDATA[Wow! What an awesome overview of Charlotte Nooth&#039;s poetry. I can well imagine the time and research you committed to this endeavor and I commend you. I also have a tangential interest in the works of Charlotte through her father James, a well respected doctor living at bath and working at the new Bath infirmary. His claim to fame circa 1799 was conducting important field trials with a Nooth apparatus and carbolic acid to treat breast cancer. Charlotte was born in Dorchester in 1783 where her father worked. Aside from living in and painting and writing in ireland she also composed some of her own music as you allude to in the essay. As far as I can tell she never married. She did have contacts with other writers of her day including Byron, Mitford, Austen and Scott. She traveled and hob-nobbed with society women in Paris circa 1825. She lived for a time in Reading in died circa 1850. Indeed, further scholarship should be done on this under-appreciated female writer. I commend you once again for getting this essay out into the open concourse of ideas and expressions.  PS--The Prowers, which you mention in the long list of subscribers were indeed her collateral cousins. This may explain why they purchased 10 copies of  her book--a family connection of sorts! I have a sizable archives of her life and works. If you would like to share details on Nooth with a view to publication I would be interested.]]></description>
		<content:encoded><![CDATA[<p>Wow! What an awesome overview of Charlotte Nooth&#8217;s poetry. I can well imagine the time and research you committed to this endeavor and I commend you. I also have a tangential interest in the works of Charlotte through her father James, a well respected doctor living at bath and working at the new Bath infirmary. His claim to fame circa 1799 was conducting important field trials with a Nooth apparatus and carbolic acid to treat breast cancer. Charlotte was born in Dorchester in 1783 where her father worked. Aside from living in and painting and writing in ireland she also composed some of her own music as you allude to in the essay. As far as I can tell she never married. She did have contacts with other writers of her day including Byron, Mitford, Austen and Scott. She traveled and hob-nobbed with society women in Paris circa 1825. She lived for a time in Reading in died circa 1850. Indeed, further scholarship should be done on this under-appreciated female writer. I commend you once again for getting this essay out into the open concourse of ideas and expressions.  PS&#8211;The Prowers, which you mention in the long list of subscribers were indeed her collateral cousins. This may explain why they purchased 10 copies of  her book&#8211;a family connection of sorts! I have a sizable archives of her life and works. If you would like to share details on Nooth with a view to publication I would be interested.</p>
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		<title>Comment on Response to Melynda Nuss&#8217;s &#8220;Look in My Face&#8221;: The Dramatic Ethics of &#8220;The Borderers&#8221; by Veronica</title>
		<link>http://nyurrg.org/2013/02/19/response-to-melynda-nusss-look-in-my-face-the-dramatic-ethics-of-the-borderers/#comment-2017</link>
		<dc:creator><![CDATA[Veronica]]></dc:creator>
		<pubDate>Tue, 19 Feb 2013 20:57:17 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=493#comment-2017</guid>
		<description><![CDATA[Really interesting thoughts, Randie! I&#039;ve been thinking about planning a course in dramatic ethnography; I imagine such a setting would be ideal for examining questions of mediality such as the one you raise regarding The Borderers.]]></description>
		<content:encoded><![CDATA[<p>Really interesting thoughts, Randie! I&#8217;ve been thinking about planning a course in dramatic ethnography; I imagine such a setting would be ideal for examining questions of mediality such as the one you raise regarding The Borderers.</p>
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		<title>Comment on Retrospective: Visionary Poetry Event by Bridgette</title>
		<link>http://nyurrg.org/2011/10/14/retrospective-visionary-poetry-event/#comment-1990</link>
		<dc:creator><![CDATA[Bridgette]]></dc:creator>
		<pubDate>Fri, 25 Jan 2013 04:53:03 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=28#comment-1990</guid>
		<description><![CDATA[Hi there everyone, it&#039;s my first go to see at this site, and piece of writing is truly fruitful for me, keep up posting such articles or reviews.]]></description>
		<content:encoded><![CDATA[<p>Hi there everyone, it&#8217;s my first go to see at this site, and piece of writing is truly fruitful for me, keep up posting such articles or reviews.</p>
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		<title>Comment on Romantic Drama: Experiments, Mental Theater, and Media by Sardanapalus Onstage and Out of Mind &#124; The Romanticist Research Group of New York University</title>
		<link>http://nyurrg.org/2011/10/15/romantic-drama-experiments-mental-theater-and-media/#comment-1958</link>
		<dc:creator><![CDATA[Sardanapalus Onstage and Out of Mind &#124; The Romanticist Research Group of New York University]]></dc:creator>
		<pubDate>Sun, 09 Dec 2012 01:54:31 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=41#comment-1958</guid>
		<description><![CDATA[[...] performed,” the production was not, let us say, theatricalized. (See the earlier NYURRG post, “Romantic Drama: Experiments, Mental Theater, and Media,” in which Daniel P. Watkins’s “drama-theater distinctions” are discussed.) There was indeed a [...]]]></description>
		<content:encoded><![CDATA[<p>[...] performed,” the production was not, let us say, theatricalized. (See the earlier NYURRG post, “Romantic Drama: Experiments, Mental Theater, and Media,” in which Daniel P. Watkins’s “drama-theater distinctions” are discussed.) There was indeed a [...]</p>
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		<title>Comment on Sardanapalus in Print and Performance by Sardanapalus Onstage and Out of Mind &#124; The Romanticist Research Group of New York University</title>
		<link>http://nyurrg.org/2012/11/10/sardanapalus-in-print-and-performance/#comment-1957</link>
		<dc:creator><![CDATA[Sardanapalus Onstage and Out of Mind &#124; The Romanticist Research Group of New York University]]></dc:creator>
		<pubDate>Sun, 09 Dec 2012 01:54:28 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=478#comment-1957</guid>
		<description><![CDATA[[...] &#8592; Previous [...]]]></description>
		<content:encoded><![CDATA[<p>[...] &larr; Previous [...]</p>
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		<title>Comment on A Dramatic Life: Byron&#8217;s biography as represented in Sardanapalus by nyurrg</title>
		<link>http://nyurrg.org/2012/11/08/a-dramatic-life-byrons-biography-as-represented-in-sardanapalus/#comment-1926</link>
		<dc:creator><![CDATA[nyurrg]]></dc:creator>
		<pubDate>Thu, 08 Nov 2012 16:49:21 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=475#comment-1926</guid>
		<description><![CDATA[Great post! I just wanted to add that Byron wrote at least part of the play in a room full of Carbonari weapons. As you so rightly point out, Byron thought that “A man ought to do more for his country than write verses.” Given the discussion of nationalism and national identity, it is interesting to note that the poet in exile took up the cause of nations other than his own - a fact that may speak to his own frustrated political ambitions in the House of Lords and his early poem on the frame breakers.]]></description>
		<content:encoded><![CDATA[<p>Great post! I just wanted to add that Byron wrote at least part of the play in a room full of Carbonari weapons. As you so rightly point out, Byron thought that “A man ought to do more for his country than write verses.” Given the discussion of nationalism and national identity, it is interesting to note that the poet in exile took up the cause of nations other than his own &#8211; a fact that may speak to his own frustrated political ambitions in the House of Lords and his early poem on the frame breakers.</p>
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		<title>Comment on Red Bull Theater + NYU Department of English (Monday, November 12th): by nyurrg</title>
		<link>http://nyurrg.org/2012/10/14/red-bull-theater-nyu-department-of-english-monday-november-12th/#comment-1827</link>
		<dc:creator><![CDATA[nyurrg]]></dc:creator>
		<pubDate>Sun, 14 Oct 2012 03:33:22 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=458#comment-1827</guid>
		<description><![CDATA[For more information, including tickets, student discounts, etc, please visit: http://www.redbulltheater.com/Readings]]></description>
		<content:encoded><![CDATA[<p>For more information, including tickets, student discounts, etc, please visit: <a href="http://www.redbulltheater.com/Readings" rel="nofollow">http://www.redbulltheater.com/Readings</a></p>
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		<title>Comment on Coming Soon: Byron&#8217;s Sardanapalus? by Byron’s Sardanapalus at Red Bull Theater &#124; The Romanticist Research Group of New York University</title>
		<link>http://nyurrg.org/2011/10/15/coming-soon-byrons-sardanapalus/#comment-1353</link>
		<dc:creator><![CDATA[Byron’s Sardanapalus at Red Bull Theater &#124; The Romanticist Research Group of New York University]]></dc:creator>
		<pubDate>Mon, 01 Oct 2012 21:29:34 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=44#comment-1353</guid>
		<description><![CDATA[[...] year we played with the idea of collaborating with a local theater company to produce the performance of a Romantic drama; this semester, the project is [...]]]></description>
		<content:encoded><![CDATA[<p>[...] year we played with the idea of collaborating with a local theater company to produce the performance of a Romantic drama; this semester, the project is [...]</p>
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		<title>Comment on Coming Soon: Byron&#8217;s Sardanapalus? by Byron’s Sardanapalus at Red Bull Theater &#124; The Romanticist Research Group of New York University</title>
		<link>http://nyurrg.org/2011/10/15/coming-soon-byrons-sardanapalus/#comment-1052</link>
		<dc:creator><![CDATA[Byron’s Sardanapalus at Red Bull Theater &#124; The Romanticist Research Group of New York University]]></dc:creator>
		<pubDate>Mon, 17 Sep 2012 21:33:26 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=44#comment-1052</guid>
		<description><![CDATA[[...] year we played with the idea of collaborating with a local theater company to produce the performance of a Romantic drama; this semester, the project is on! The Romanticist [...]]]></description>
		<content:encoded><![CDATA[<p>[...] year we played with the idea of collaborating with a local theater company to produce the performance of a Romantic drama; this semester, the project is on! The Romanticist [...]</p>
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		<title>Comment on &#8220;The Twa Sisters&#8221; and Editorial Ballad-making by nyurrg</title>
		<link>http://nyurrg.org/2012/07/23/the-twa-sisters-and-editorial-ballad-making/#comment-530</link>
		<dc:creator><![CDATA[nyurrg]]></dc:creator>
		<pubDate>Mon, 23 Jul 2012 23:26:05 +0000</pubDate>
		<guid isPermaLink="false">http://nyurrg.org/?p=429#comment-530</guid>
		<description><![CDATA[The Morgan Library has a great online exhibit on the changes in &quot;Auld Lang Syne&quot; and Robert Burns&#039; role in the editing of that traditional song and the airs with which it has been paired. Check it out:http://www.themorgan.org/exhibitions/online/AuldLangSyne/default.asp]]></description>
		<content:encoded><![CDATA[<p>The Morgan Library has a great online exhibit on the changes in &#8220;Auld Lang Syne&#8221; and Robert Burns&#8217; role in the editing of that traditional song and the airs with which it has been paired. Check it out:<a href="http://www.themorgan.org/exhibitions/online/AuldLangSyne/default.asp" rel="nofollow">http://www.themorgan.org/exhibitions/online/AuldLangSyne/default.asp</a></p>
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